in Rag Pari - Online Afghan Rubab Tutor (OART)

The naghma-ye kashal in Rag Pari

Fingering chart for the Pari mode

The naghma-ye kashal in Rag Pari is well known and played both as a solo and as a group instrumental piece. The tonic, marked as K (karj), is transposed up a 4th to Ma and the shahtar can be retuned to Ma and Ma1, rather than Pe and Pe1. This naghma is a bit challenging because of its extension into the unfretted range on the 1^st string. Also note the slight adjustments in last line when moving on from one antara to the next, for example, going from antara 1 to 2, from 2 to 3, 3 to 4, 5 back to 1. Such adjustments are found in parts of the naghmas in Kesturi, Pilu and Asa

Suggested tuning:
Sa Re Ge Ma Pe De Na Sa¹ Re¹ Ge¹ Ma¹ Pe¹ De¹ Ni¹ Sa²

arui Ma Pe De Sa¹ Re¹ Ma¹
amrui Ma¹ Re¹ Sa¹ De Pe Ma

complete performance

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shakl

Sa¹

Re¹

Sa¹

Re¹

Ge¹

Ma¹

Ge¹

Re¹

Sa¹

Re¹

Sa¹

10.

Sa¹

astai

Sa¹	Sa¹	Sa¹	DeNa
Sa¹	Sa¹	Sa¹	DeNa
Re¹	Re¹	Re¹	Sa¹Sa¹
De	Ma	Pe	De

Sa¹	Sa¹	Sa¹	Sa¹Sa¹
De	Ma	Ma	NaNa
De	De	Pe	Pe
Ma	Ge	Sa	Re

antara 1

Ma	Ma	Ma	Ma
De	DePe	DeSa¹	Na
De	De	Pe	Pe
Ma	MaGe	–Sa	Re
(Ma	Ma	De	Na to antara 2)

antara 2

Sa¹	Sa¹	Sa¹	Sa¹
De	Na	Re¹	Re¹
Sa¹	Sa¹	Na	Na
De	DeMa	–De	Na
(De	De	Sa¹	Sa¹ to antara 3)

antara 3

Re¹	Re¹	Re¹	Re¹
Re¹	Re¹	Sa¹	Re¹
Ge¹	Ge¹	Ge¹	Re¹
Sa¹	Sa¹	Re¹	Ge¹
Ma¹	Ma¹	Ma¹	Ma¹
Ma¹	Ma¹	Ge¹	Re¹
Ge¹	Ge¹	Ge¹	Re¹
Sa¹	Sa¹	Ni	Sa¹
		(Re¹	Ge¹ to antara 4)